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ISMAT 507

Drawing II

Fashion and Textile Design and Production
  • ApresentaçãoPresentation
    The course unit Drawing II represents a natural and in-depth progression of the learning initiated in Drawing I, strengthening the skills of careful observation and critical analysis of the human body. This approach focuses on a type of drawing that is both expressive and synthetic, valuing not only anatomical accuracy but also the subjective and artistic interpretation of forms, resulting in stylization. The main goal is to equip students with visual and technical tools that enable them to represent the human body effectively and creatively, with direct applicability in the context of Fashion Design, where understanding the human figure is essential for the conception, development, and communication of clothing pieces.
  • ProgramaProgramme
    Direct observation and pose sketches; Study of the human figure (anatomy, canons and proportions); Practical sessions with live models; Development of personal representation styles; Exaggeration and distortion as a visual language in design; Shading, texture, and volume techniques; Contrast dynamics and graphic composition; The relationship between clothing and anatomical structure; Representation of fabrics and patterns; Exploration of different materials (graphite, charcoal, ink, markers, digital, etc.) Interaction between body, clothing, and movement.
  • ObjectivosObjectives
    Deepen the skills related to the representation of the human body, with emphasis on graphic representation through drawing; Develop the ability for visual synthesis, translating complex forms of the human body into expressive and stylized compositions; Apply anatomical knowledge in the construction of human figures aligned with the principles of Fashion Design; Encourage individual and artistic expression through subjective interpretations of the human figure; Relate human body drawing to the development of fashion collections, promoting the connection between form, function, and style; Stimulate critical and creative autonomy, enabling students to make conscious visual decisions in the design process; Create effective sketches and visual representations suitable for the presentation and communication of fashion proposals.
  • BibliografiaBibliography
    EDWARDS, B. (2008). The New Drawing on the Right Side of the Brain - A course in. London: Harper Collinsenhancing creativity and artistic confidence; HOPKINS, J. (2010). Fashion Drawing - Basics of fashion design. Switzerland: AVA Publishing SA; MALBERT, R. (2015).UnitedDrawing People: The Human Figure in Contemporary Art States: Distributed Art Publishers; MASLEN, M; Southern, J. (2011). Drawing projects - an exploration of the language of , London: Black Dog Publishing drawing; IZAGUIRRE, A. (2023). New Fashion Illustration - 50 Essential Contemporary Artists: Hoaki Books  
  • MetodologiaMethodology
    Presentation of exercises with demonstration of examples and methodologies; collective critical discussion at the end of the class about all the work done. The tutorial relationship is privileged.
  • LínguaLanguage
    Português
  • TipoType
    Semestral
  • ECTS
    4
  • NaturezaNature
    Mandatory
  • EstágioInternship
    Não