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ISMAT 65

Drawing I

Fashion and Textile Design and Production
  • ApresentaçãoPresentation
    The aim of this CU is to introduce students to drawing and the materials that will enable them to create it, as well as the different techniques.
  • ProgramaProgramme
    - Exploration of dry media techniques (graphite, colored pencils): - Direct observation drawing of everyday objects (fashion accessories) - Direct observation drawings of the human figure with drapery - Exploration of wet media techniques (alcohol-based markers) - Direct observation drawing of everyday objects (fashion accessories) - Direct observation drawings of the human figure with drapery - Critical discussions regarding the understanding and application of the graphic language used in direct observation drawing-covering objects, the human figure, and drapery-while evaluating the level of mastery over various graphic media (dry and wet) required to draw the human figure and garment drapery with precision and realism.
  • ObjectivosObjectives
    This UC aims to: 1- The identification, recognition and application of basic drawing terminologies, tools and methods, in a relevant and appropriate way. 2- The development of drawing as an instrument of thought and the improvement of perceptual and visual acuity 3- The understanding of drawing as a mechanical relationship between perception (look) and representation (hand). 4- The identification of the concept of spatial perception and its representation. Notions of size (scale and proportion), distance (breadth and depth), mapping and measurement, full and empty, line and spot. 5- The identification and distinction between drawing strategies: sketch, sketch, study, project, finished and ilustrative. 6- Understanding, analyzing and representing the anatomy of shape, structure and volume.
  • BibliografiaBibliography
    BAMMES, Gottfried (1991), L'etude du corps humain. Paris : Dessain et Tolra. EDWARDS, Betty (1984). Aprender a dibujar. Madrid: Hermann Blume. EDWARDS, Betty (2000), Nuevo Aprender a Dibujar con el lado derecho del cerebro. Madrid:Urano. GOLDSTEIN, Natham (1992), The Art of Responsive Drawing. N. Jersey: Prentice Hall. GÓMEZ Molina, Juan José (coord.) (1995), Las lecciones del dibujo. Madrid: Édiciones Cátedra SMAGULA, Howard J. (1992), Creative Drawing (Second edition), MC. Graw - Hill Higher Education. WONG, Wucius (1998), Princípios de forma e desenho. São Paulo: Martins Fontes Bryant, M. W. (2011). Fashion drawing: Illustration techniques for fashion designers. Hopkins, J. (2018). Fashion drawing . Bloomsbury Publishing.  
  • MetodologiaMethodology
    Use of Artificial Intelligence (AI) - to generate images of human figures based on descriptions of physical characteristics and poses, for subsequent interpretation through observational drawing. Propose gamification strategies via creative challenges: Suggest weekly or monthly challenges, such as creating an outfit inspired by a specific theme or recreating an iconic piece from fashion history. Visits to museums or exhibition spaces: Organize visits to art exhibitions where students can engage in observational drawing, image analysis, and the appreciation of art. Emphasis is placed on the tutorial relationship.
  • LínguaLanguage
    Português
  • TipoType
    Semestral
  • ECTS
    5
  • NaturezaNature
    Mandatory
  • EstágioInternship
    Não