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ISMAT 3166

Drawing IV

Architecture
  • ApresentaçãoPresentation
     The UC Draw IV aims to conduct a review oriented to identify drawing techniques that need to be developed by students in depth, since students must bring these techniques to amplify their ability to explore visuals with diverse aesthetics and to observe the unexpected in today's world. Drawing as a way of synthesizing the world around us and transforming existing worlds.
  • ProgramaProgramme
    S1.Analysis of the real:synthesis, illustration, figuration and representation ; place and space. S2..  Study of visual systems and representation of environments and de facto fields.Color, color sensation, color psychology and color application. S3. Graphic language and application of linear and textural techniques:methodology of representation through the outline and the scheme. S4. Schematic syntheses: Structure, rhythm, mark, symmetry, laterality, opening and light. S5.Idea configuration: conceptualization, configuration and expression .The object in space: Study of concepts and representation of scenarios and panoramas for the object and vice versa. S6.Figuration versus configuration.Automatic graphic language. S7.Expression methodology through sketch and diagram.
  • ObjectivosObjectives
    O1. Criticism of design and visual systems: analytical capacity of the factual space, its representation and typologies specific to expression.   O2. Understanding of basic color phenomena: spatial study of modeling and depth of light through themes related to Architecture.   O3. Development of the practice of drawing in the spectrum of the processes of representation of the sensitive image and the abstract image: notion of sensation and concept in representation and expression.   O4. Adequacy of expression techniques to the conceptual phases of the architectural project and the respective models.   O5. Mental acuity supported by the habit of drawing that captures visibility over reality and uses 'invisibility' over the imagined:destruction and exercise of observation design and inventive design.
  • BibliografiaBibliography
    Butler, C. H. & Zeguer, C. (2010).On Line: Drawing through the Twentieth Century.TheMuseum of Modern Art. Cullen, G. (1996). Paisagem Urbana. Edições 70. Janeiro, Pedro António (2011). Arquitecturas-Ficcionadas: O Desenho. Chiado Books. ISBN: 9789896971854. Pinto, Luís Moreira (2012). Desenho - Perceção e Forma.  Edições Colibri. ISBN: 9789896892326. Neto, Sandra Morgado (2019). Error. An Inventive Resource in Drawings. Oil Forest League. ISBN-10: 8894139484, ISBN-13:  9788894139488. Salavisa (2008). Diários de Viagem: desenhos do quotidiano.Quimera. Thomas, H., & Phaidon Press. (2018). Drawing architecture. Phaidon Press Limited.  
  • MetodologiaMethodology
    M1.Hours of work organized according to the exposed ratio and distributed by:theoretical classes for the presentation and development of curriculum-based content, including seminaries and practical classes of execution and development of exercises with exploration statements. M2. Visual and sensorial perception of urban  space ,  looking for imersive experiences , improving the  previous  adquired tools, having as support  situations based on the concepts of the book " Concise Townscape"" by Gordon Cullen.   
  • LínguaLanguage
    Português
  • TipoType
    Semestral
  • ECTS
    6
  • NaturezaNature
    Mandatory
  • EstágioInternship
    Não